Hiroshi Sugimoto : Time Exposed

a contemporary Japanese photographer whose esoteric practice explores memory and time. Using the intrinsic quality of long exposure photography, the artist provides insight into how the medium can both obscure and alter reality. 

To craft his exquisite black-and-white images, Hiroshi Sugimoto uses a 19th-century-style, large-format camera, exploring his idea of photography as a method for preserving and modelling time. He has said. “Photography is a system of saving memories. It's a time machine, in a way, to preserve the memory, to preserve time.” 

Influenced by Surrealism and Dada, Sugimoto's work is intimately connected to Marcel Duchamp, as in his series ‘Conceptual Forms’ inspired by Duchamp's The Large Glass, 1923, large-scale black-and-white photographs of mathematical models and tools.

Ongoing subjects include dioramas, theaters, Buddhist sculptures, and seascapes—the latter captured in a famous series of near-abstractions, coupled with specific geographic titles. “I imagine my vision then try to make it happen, just like painting,” he says. “The reality is there, but how to make it like my reality.”