Camera Not Required: Unconventional and cameraless photography
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Mariah Robertson#166, 2010Certificate of Authenticity, signed by artist, from M+B galleryColour photographic print on metallic paper50.8 x 60.1 cm
20 x 23 5/8 in£ 3,600.00 -
Susan Derges, River Taw Series, 1997
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Susan Derges, River Taw Series, 1997
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John StezakerEvolution (double-sided), 1996Initialed and numbered 'JS 11/55' in pencilDouble sided Photolithograph on thick wove John Purcell Paper28 x 28 cm
11 1/8 x 11 1/8 inEdition of 55£ 900.00
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John StezakerUntitled (Pipe), 2012Signed and numbered by artist in pencil verso 2/10Digital pigment print on Somerset Foto Rag 300g41.7 x 29.6 cm
16 3/8 x 11 5/8 inNumber 2 from an edition of 10 + 2AP£ 1,134.00 -
John StezakerUntitled (Smile), 2011Signed and annotated by artist in pencil 2011 119/150Photograph24.5 x 24.5 cm
9 5/8 x 9 5/8 inEdition of 150Sold -
Eduardo Paolozzi, Untitled (Beryl Grey as Chariana in Carnaval), 1947-57
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Eduardo Paolozzi, Untitled (Seated Nudes), 1947-57
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Hamish Fulton, The Life of Scattered Stones, 1990
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Paul Kenny#7 Wester Ross, 2002Signed by artist rectoSilver gelatin print (selenium toned)40.6 x 40.6 cm
16 x 16 inEdition Max 5£ 450.00 -
Paul Kenny#8 Wester Ross, 2002Signed by artist rectoSilver gelatin print (selenium toned)40.6 x 40.6 cm
16 x 16 inEdition Max 5£ 450.00 -
John Latham, Ben, 2004
Feuteu is delighted to present a new exhibition Camera Not Required - a collection of artworks that are connected by alternative unconventional and cameraless photography techniques.
Camera-less photograph, made famous in the 1920s by Man Ray (rayographs), Lazlo Moholy-Nagy, and Picasso, can be created using a variety of techniques, the most common of which are the photogram, the luminogram and the chemigram. These techniques are sometimes used in combination.
This exhibition aims to present contemporary photographers who are using these, and other, techniques. John Stezaker & Eduardo Paolozzi take found images and create new meanings and contexts for them, Mariah Robertson manipulates chemicals and materials to produce abstract images and Sigmar Polke with rasterised details from commercial prints.
Finally we look at Thomas Ruff with his abstract Substrats series for which he did not use a camera, make a negative, or enter a darkroom. He took images of Japanese anime and manga from the netherworld of cyberspace and manipulated them into pulsing abstract color fields rendered ultimately on photographic paper by a mechanical printer.
All these artworks are available to purchase via our website. For any further details or enquiries, please email us at gallery@feuteu.com.